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His colleagues and students were integral in adding to work and theories that surrounded the Swiss International Style, which stressed a belief in an absolute and universal style of graphic design. His teaching methods were unorthodox and broad based, setting new standards that became widely known in design education institutions throughout the world. Emil Ruder (1914–1970) was a Swiss typographer and graphic designer, who with Armin Hofmann joined the faculty of the Schule für Gestaltung Basel (Basel School of Design).. following. Learn how and when to remove this template message, "Thinking Armin Hofmann. View all works. "[4] His posters have been widely exhibited as works of art in major galleries, such as the New York Museum of Modern Art. Get started. Hofmann (b. He is well known for his posters, which emphasized economical use of colour and fonts, in reaction to what Hofmann regarded as the "trivialization of colour." His colleagues and students were integral in adding to work and theories that surrounded the Swiss International Style, which stressed a belief in an absolute and universal style of graphic design. ... Sell art from your collection. Armin Hofmann is a Swiss graphic designer famous to some extent for developing the Swiss Style, also known as the International Typographic Style, which is a design style that emerged in European graphic design in the early to mid-1900s. The idea of a dot must be understood in a very broad sense. About Armin Hofmann. Swiss graphic designer Armin Hoffman led the avant garde design movement of International Typographic Style (aka Swiss style) as the head of the graphic design department at the Basel School of Design alongside Emil Ruder during the 1950s.Swiss design elements have stood the test of time as a dependable approach to design in a way that is functional and appealing. What Exactly Is Swiss Design, Anyway? Change style powered by CSL. Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of color and fonts. Armin Hofmann: 3 exhibitions from Jul 1987 - Sep 2012, exhibition venues worldwide of artist Armin Hofmann, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements Armin Hofmann is a Swiss graphic designer. Excellent overview of Hofmann's seminal works. Hofmann Armin Hofmann (*1920) is considered one of the most influential graphic designers in Switzerland. With his extensive design practice and educational oeuvre, he has contributed to the international reputation of Swiss graphic design and a reflective approach to visual communication. Web DesignLayout DesignDesign ArtDesign StylesPrint DesignDesign TypographyTypography LettersArmin HofmannGrid His work is recognized for its reliance on the fundamental elements of graphic form - point, line, and shape - while subtly conveying simplicity, complexity, representation, and abstraction. Armin Hofmann Poster Collection 07. His independent insights as an educator, married with his rich and innovative powers of visual expression, created a body of work enormously varied - books, exhibitions, stage sets, logotypes, symbols, typography, posters, sign systems, and environmental graphics. Published by Lars Müller Publishers. Armin Hoffmann Armin Hofmann Armin Graphics Inspiration Hoffmann Josef Art Design Illustrazione Grafica This Textile Sample Is Kept In The Metroplitan. Notable Works. Josef Hoffmann Nr 670 Sitzmaschine 1905 Manufactured By Jacob. Armin Hofmann is a Swiss graphic designer. Armin Hofmann (HonRDI) (born 29 June 1920)[1] is a Swiss graphic designer. Essay by Steven Heller. Armin Hofmann JA, Vollendung Bürgerspital, Es kann auch Dich Treffen 1963 Medium Offset lithograph Dimensions 50 5/16 x 35 9/16" (127.8 x 90.3 cm) Printer Wassermann A.G., Basel Credit Gift of the artist Object number 617.1981 Department Architecture and Design A colleague of the renowned Emil Ruder and successor as the head of the graphic design department at the Basel School of Design, Armin Hofmann’s work relies heavily on the fundamentals of graphics: lines and dots. Originating in Russia, Germany and The Netherlands in the 1920s, stimulated by the artistic avant-garde and alongside the International Style in architecture. He was also an influential educator, retiring in 1987. It is also rewarding from the technical point of view to look into the mobility of Armin Hofmann posters : [exhibition] Sept. 10-Oct. 25, 1981, The Museum of Modern Art, New York 1981 Out of print, 3 pages He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Armin Hofmann—Color (Armin Hofmann—Farbe) is an exhibition, or rather “a project,” by Fabienne Ruppen and Christof Nüssli that opens Wednesday, August 29, starting precisely at 6 p.m., and continues from August 30–September 28 at Galerie Susanna Kulli in Zürich. Hofmann’s posters are especially of note, as he avoided the use of color in favor of black and white. His timeless aesthetic was characterized by power and elegance of simplicity and clarity. Hofmann has been described as one of the most outstanding personalities in Swiss graphic design history. Get started. [3] Originating in Russia, Germany and The Netherlands in the 1920s, stimulated by the artistic avant-garde and alongside the International Style in architecture. When graphic designer and teacher Armin Hofmann was awarded the Art Price of the City of Basel in November 1997, not too many people in Basel knew about him or knew what he got the prize money of 20'000 swiss francs for (about 15'000 US$). The style was refined at two design schools in Switzerland, one in Basel led by Armin Hofmann and Emil Ruder, and the other in Zurich under the leadership of Josef Muller-Brockmann. Foreword by Felix Studinka. Hofmann was deeply committed to design education, teaching at the Allgemeine Gewerbeschule Basel for forty years from 1947 until 1987 as head of the [2] Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style. Armin Hofmann Legendary Swiss graphic designer and educator, Armin Hofmann is recognized for his immeasurable influence on generations of designers, teaching the power and elegance of simplicity and clarity through a timeless aesthetic, always informed by … Born on June 29, 1920, Armin Hofmann grew up in Winterthur, Switzerland. Artist; Price (ascending) Price (descending) Acquisition Date; Size / Orientation. Artworks. His designs for the built environment will be represented as physical, color interventions into the MCAD Gallery space itself. Along with the more well known Josef Müller Brockmann, Emil Ruder and Max Bill, Hofmann helped shape modernist-inspired graphic design beyond recognition. A legend of Swiss graphic design, Armin Hofmann is recognized for his immeasurable influence on generations of designers. Thank you, you'll hear from uswhen we launch. However, before he became well known as an influential artist, he was just a boy in Winterthur, Switzerland. Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as the Swiss Style. Armin Hofmann - Art History bibliographies - in Harvard style . The Poster Collection of the Zurich Museum fur Gestaltung offers a record of the history of the poster, in Switzerland and worldwide, from its beginnings in the 19th century to its current existence. His independent insights as an educator, married with his rich and innovative powers of visual expression, created a body of work enormously varied - books, exhibitions, stage sets, logotypes, symbols, typography, posters, sign systems, and environmental graphics. Until now, attention to the Swiss graphic design pioneer View Armin Hofmann’s artworks on artnet. All had studied with Ernst Kelle r at the Zurich School of Design before WWII, where the principles of the Bauhaus and Jan Tschichold's New Typography were taught. Consign with Artsy. His posters have been widely exhibited as works of art in major galleries, such as the New York Museum of Modern Art. Art for public spaces was the only field of his practice in which Hofmann regularly employed color as a defining artistic element. His work is recognized for its reliance on the fundamental elements of graphic form - point, line, and shape - while subtly conveying simplicity, complexity, representation, and abstraction. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Armin Hofmann. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Moreover, he is looked up to by his students as the most inspiring graphic design teacher. For Armin Hofmann, lecturing at design schools and working as a freelance graphic artist went hand in hand: his activities as an educator invariably provided inspiration for his own work. Armin Hofmann is recognized with a 2011 AIGA Medal for his immeasurable influence on generations of designers, teaching the power and elegance of simplicity and clarity through a timeless aesthetic, always informed by context. Armin Hofmann is an eminent twentieth century Swiss graphic designer. In 1965 he wrote the Graphic Design Manual, a popular textbook in the field. The immeasurable influence on generations of designers is one of the many distinguishing qualities of his work. We haven't opened yet, but somehow you found us. From San Francisco Museum of Modern Art (SFMOMA) , Armin Hofmann, Giselle Ballet, Basel poster (1959), Lithograph, 50 3/8 × 35 9/16 in Style International International Typographic Style Basel Max Bill Bauhaus Armin Hofmann Design Art Print Design Modern Design A short introduction. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. After completing an apprenticeship in lithography, Armin Hofmann (born 1920) began teaching his own typographic principles at the Basel School of Design in 1947. Armin Hofmann . By the age of 27 Armin Hofmann had already completed an apprenticeship in lithography and had begun teaching typography at the Basel School of Design. Armin Hofmann. Armin Hofmann (HonRDI) (born 29 June 1920) is a Swiss graphic designer. Followers 90. His teaching methods were unorthodox and broad based, setting new standards that became widely known in design education institutions throughout the world. Career Highlights. He is distinguishable in the field of typography for developing a holistic approach to designing and teaching that consisted of philosophy, theory and a systematic practical methodology. Armin Hofmann, Posters, The Museum of Modern Art, New York, 1981 n-o-u-s Disegno Grafico Minimalista Graphic Design Vintage Graphic Designer Basilea Design Copertina Idee Testi Cultura Comunicazione Visiva Basel) 1958 Armin Hofmann Robert Jacobsen, Serge Poliakoff, Kunsthalle Basel 1959 Armin Hofmann Giselle, Basler Freilichtspiele 1959 Armin Hofmann, Graphic Design Manual, 1965 . From San Francisco Museum of Modern Art (SFMOMA) , Armin Hofmann, Giselle Ballet, Basel poster (1959), Lithograph, 50 3/8 × 35 9/16 in A celebrated teacher at Allgemeine Gewerbeschule Basel School of Art and Craft, his teaching methods were unorthodox and broad-based. Haven't seen a comparable collection in any other edition currently in print — let alone one this affordable and well-presented. These are the sources and citations used to research Armin Hofmann. Join the list for early access. Auction results. Reading this is a real treat, not just for a better understanding of graphic form, but for the warmth, love and genuine importance he places on graphic design and teaching. Armin Hofmann La Suisse a L'Epoque Romaine, Exposition, Les tresors des musees suisses et des collections privees, Bale, Mustermesse Baslerhalle 1957 Armin Hofmann Kunsthalle Basel, Jacques Lipchitz, 9.Aug-7.Sept. [3] He is well known for his posters, which emphasized economical use of colour and fonts, in reaction to what Hofmann regarded as the "trivialization of colour. Sell art from your collection. Website. This bibliography was generated on Cite This For Me on Monday, August 24, 2020. Follow. He and his colleagues who contributed to the development of Swiss international Style, advocated a belief in … Learn more about artist insights. 06 29 2011 Thinking Graphic Designer, Thinking Typographer", "Armin Hofmann | Biography | People | Collection of Cooper Hewitt, Smithsonian Design Museum", https://en.wikipedia.org/w/index.php?title=Armin_Hofmann&oldid=982466669, BLP articles lacking sources from January 2008, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 8 October 2020, at 09:45. View all. Overview. By the age of 27 Armin Hofmann had already completed an apprenticeship in lithography and had begun teaching typography at the Basel School of Design. Consign with Artsy. ... Josef Hofmann Glass Art Deco Accessories Art Nouveau Art Decor. After training as a lithographer, Armin Hofmann worked as a graphic designer and created many of his groundbreaking posters for the Stadttheater Basel and the Kunsthalle Basel. This book, along with an earlier publication, The Graphic Artist and His Design Problems by Joseph Müller-Brockmann, fascinated us and gave us a tantalizing view of Swiss design in two flavors: Müller-Brockmann was highly structured, geometric, cool and focused on professional practice applications, and Hofmann was lyrical, warmer, intuitive, focused on personal visual exploration and formal hand skills. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. The thoroughly revised edition of the 1965 design ma-nual classic is still setting standards. 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